References

References

The Sonic Arts Research Centre. (2014). Retrieved January 2014, from The Sonic Arts Research Centre, QUB: http://www.sarc.qub.ac.uk/

The Ulster String Quartet. (2014). Retrieved September 2013, from The Ulster String Quartet: http://ulsterquartet.com

Bech, S., & Zacharov, N. (2006). Perceptual Audio Evaluation – Theory, Method and Application. John Wiley & Sons, Ltd.

Berge, S., & Barett, N. (2010a). A New Method for B-format to Binaural Transcoding. 40th AES International Conference. Tokyo, Japan: Audio Engineering Society.

Berge, S., & Barret, N. (2010b). High Angular Resolution Planewave Expansion. 2nd International Symposium on Ambisonics and Spherical Acoustics, (pp. 6-7). Paris, France.

Blumlein, A. D. (1931). Patent No. British Patent Specification 394,325.

Bower, K. (2014). Worked Examples. Retrieved February 2014, from Keith Bower: http://www.keithbower.com/Worked_Examples.htm

Choisel, S., & Wickelmaier, F. (2007). Evaluation of Multichannel Reproduced Sound: Scaling Auditory Attributes Underlying Listener Preference. The Journal of the Acoustical Society of America, 388-400.

Conover, W. J. (1999). Practical Nonparametric Statistics (3rd ed.). John Wiley & Sons, Inc.

Cox, T. (2013). Objective Metrics. Retrieved from Salford University – Acoustics, Audio and Video: http://www.acoustics.salford.ac.uk/acoustics_info/sound_quality/?content=objective

Cox, T. (2013). Subjective Methods. Retrieved September 25, 2013, from Salford University – Acoustics, Audio and Video: http://www.acoustics.salford.ac.uk/res/cox/sound_quality/index.php?content=subjective

Craven, P. G., & Gerzon, M. A. (1977). Patent No. 4,042,779. United States of America.

Cycling 74. (2014). Max. Retrieved January 2014, from Cycling 74: http://cycling74.com/products/max/

DV247. (2014). AKG C414 XLII. Retrieved April 5, 2014, from Microphones: http://www.dv247.com/microphones/akg-c-414-xl-ii–72454

Eargle, J. (2005). The Microphone Book. Focal Press.

e-Discovery Team. (2014). Uploads. Retrieved March 2014, from e-Discovery Team: http://ralphlosey.files.wordpress.com/2012/05/95percent_confidence_normaldist1-96.png

Elder Laboratory. (2014). The Binomial Test. (T. C. York University, Producer) Retrieved November 2013, from Elder Laboratory: Human & Computer Vision: http://www.elderlab.yorku.ca/~aaron/Stats2022/BinomialTest.htm

European Broadcasting Union. (2011, August). Recommendation R128 – Loudness normalisation and permitted maximul level of audio signals. Retrieved September 2013, from European Broadcasting Union: https://tech.ebu.ch/docs/r/r128.pdf

European Commission. (2014). Scientific Committees. Retrieved January 2014, from Scientific Committee on Emerging and Newly Identified Health Risks: http://ec.europa.eu/health/scientific_committees/emerging/index_en.htm

Fazenda, B. (2012). Lecture Material. M.Sc. Digital Media: Audio Production – Audio Post Production. United Kingdom: University of Salford.

Focusrite. (2014). Saffire Pro 24 Technical Specifications. Retrieved March 2014, from Focusrite: http://us.focusrite.com/firewire-audio-interfaces/saffire-pro-24/specifications

Fukada, A. (2001, June). A Challenge in Multichannel Music Recording. Audio Engineering Society, Paper Number 1881.

Fukada, Tsujimoto, & Akita. (1997, September). Microphone Techniques for Ambient Sound on a Music Recording. Audio Engineering Society, Paper Number 4540.

Genelec. (2014). 1032a Product page. Retrieved October 2013, from Genelec: http://www.genelec.com/products/previous-models/1032a/

Gerzon, M. A. (1975). The Design of Precisely Coincident Microphone Arrays for Stereo and Surround Sound. Journal of the Audio Engineering Society, Prepint L-20.

Goldman, M. (2014). Why is mulitiple testing a problem? Retrieved November 2013, from Berkeley University of California: http://www.stat.berkeley.edu/~mgoldman/Section0402.pdf

Google. (2014). Google Maps. Retrieved October 2013, from Google.ie: https://maps.google.ie/maps?q=queens+university+belfast&hl=en&sll=53.3834,-8.21775&sspn=9.024249,25.378418&t=h&z=20&iwloc=A

Harpex. (2011). Harpex B Manual. Retrieved September 2013, from Harpex: http://harpex.net/manual.pdf

Harpex. (2014). About. Retrieved February 2014, from Harpex: http://harpex.net/about.html

Harpex. (2014). Index. Retrieved November 2013, from Harpex: http://harpex.net/

Heck, P., & Rieseberg, C. (2001). Comparison of the Four Different Microphone Arrays. Duesseldorf Universirty, Duesseldorf.

HHB Communications Ltd. (2014). Soundfield MKV. Retrieved April 5, 2014, from HHB Communications Ltd: http://www.hhb.co.uk/product_detail.php?id=1753

Holman, T. (2010). Sound for Film and Television. Taylor & Francis.

Houghton, M., & Sound on Sound. (2011, August). Sound Advice. Retrieved January 2014, from Sound on Sound: http://www.soundonsound.com/sos/aug11/articles/qanda-0811-3.htm

Howard, D. M., & Angus, J. A. (2009). Acoustics and Psychoacoustics (4th ed.). Oxford: Focal Press.

ITU. (1997, 10). BS.1116-1. Retrieved January 2014, from International Telecommunication Union: https://www.itu.int/dms_pubrec/itu-r/rec/bs/R-REC-BS.1116-1-199710-I!!PDF-E.pdf

ITU. (2003, 01). BS.1534-1. Retrieved January 2014, from International Telecomunications Union: http://www.itu.int/dms_pubrec/itu-r/rec/bs/R-REC-BS.1534-1-200301-I!!PDF-E.pdf

ITU. (2012, August). BS.775-3. Retrieved September 2013, from International Telecommunication Union: http://www.itu.int/dms_pubrec/itu-r/rec/bs/R-REC-BS.775-3-201208-I!!PDF-E.pdf

Kassier, R., Hyun-Kook, L., Brookes, T., & Rumsey, F. (2005). An Informal Comparison Between Surround-Sound Microphone Techniques. The Journal of the Audio Engineering Society, Paper Number 6429.

Katz, B. (2007). Mastering Audio: The Art and the Science (2nd ed.). Focal Press.

Kelly, R. (2014, January). Listening Test Preparation. Retrieved January 2014, from Rob Kelly Sound: https://robkellysound.wordpress.com/2014/02/01/listening-session-preparation/

Kornacki, A., Odya, P., Kostek, B., & Czyzewski, A. (2001, May). Problems Related to Surround Sound Production. Journal of the Audio Engineering Society, Paper Number 5374.

Kuster, M. (2008). Reliability of Estimating the Room Volume from a Single Room. The Journal of the Acoustical Society of America 124(2), 982-993.

Microsoft. (2014). NORM.S.INV function. Retrieved March 2014, from Microsoft Office: http://office.microsoft.com/en-gb/excel-help/norm-s-inv-function-HP010335692.aspx

Minitab. (2014). Minitab. Retrieved March 2014, from Minitab: http://www.minitab.com/en-us/products/minitab/

Moylan, W. (2007). Understanding and Crafting the Mix – The Art of Recording. Focal Press.

Paquier, M., & Koehl, V. (2011). Subjective Assessment of Microphone Arrays for Spatial Audio Recording. Forum Acusticum 2011, (pp. 2737-2742). Aalborg.

Pekonen, J. (2008). Microphone Techniques for Spatial Sound. Retrieved October 2013, from Academia.edu: http://www.academia.edu/download/30852150/Pekonen2008ACOUSTICS.pdf

Pohlmann, K. C., & Everest, E. A. (2001). Master Handbook of Acoustics. McGraw Hill.

Preston, C. (2003). Adaptations of Stereo Microphone Techniques for Surround Sound. AES 24th International Conference: Multichannel Audio, The New Reality, (Paper 2). Banff.

Preston, C. (2005, October). Alternative Approaches for Recording Surround Sound. AES Convention 119, (Paper Number 6623). New York.

Queen’s University Belfast. (2014). School of Music. Retrieved January 2014, from School of Creative Arts: http://www.music.qub.ac.uk/

Recording Hacks. (2014). Neumann M50. Retrieved March 2014, from Recording Hacks: http://recordinghacks.com/microphones/Neumann/M-50

Robjohns, H., & Sound on Sound. (2005, December). Q&A. Retrieved January 2014, from Sound on Sound: http://www.soundonsound.com/sos/dec05/articles/qa1205_4.htm

Rumsey, F., ZielinskiI, S., & Bech, S. (2008). On Some Biases Encountered in Modern Audio Quality Listening Test. The Journal of the Audio Engineering Society, 56(6), 56, 427 – 451.

Salford University. (2014). Recording Studios. Retrieved March 2014, from Acoustics, Audio and Video: http://www.acoustics.salford.ac.uk/facilities/?content=studios

Schellstede, M., & Faller, C. (2007). Recording of Acoustical Concerts Using a Soundfield Microphone. AES Convention 112, (Paper Number 6996). Vienna.

Sengspiel, E. (2014). Calculation of the Reverberation Time. Retrieved November 2013, from Sengspiel Audio: http://www.sengpielaudio.com/calculator-RT60.htm

Soundfield Ltd. (2013). Soundfield MKV. Retrieved August 2013, from Soundfield Ltd.: http://www.soundfield.com/products/mkv.php

Soundfield Ltd. (2014). Benefits of a Soundfield System. Retrieved September 2013, from Soundfield: http://www.soundfield.com/soundfield/soundfield.php

Soundfield Ltd. (2014). Software Plugins. Retrieved September 2013, from Soundfield Ltd.: http://www.soundfield.com/products/plugins.php

Soundfield Ltd. (2014). The Company – background and history. Retrieved October 2013, from Soundfield: http://www.soundfield.com/company/company.php

Sprent, P. (1989). Applied Nonparametric Statistical Methods. Chapman and Hall.

Sungyoung, K., Franscisco, M. d., Walker, K., Marui, A., & Martens, W. L. (2006). An Examination of the Influence of Musical Selection on Listener Preferences for Multichannel Microphone Technique. Audio Engineering Society Conference: 28th International Conference: The Future of Audio Technology–Surround and Beyond (Paper Number 9-2). Pitea: Audio Engineering Society.

Tischmeyer, F. (2012, August 14). Steinberg SLM 128-Loudness Meter presented by Friedemann Tischmeyer . Retrieved October 26, 2013, from YouTube: https://www.youtube.com/watch?v=w0yrb61f8_k

University, West Chester. (2014). Retrieved March 2014, from WCU Course Server: http://courses.wcupa.edu/rbove/Berenson/10th%20ed%20CD-ROM%20topics/section6_5.pdf

Williams, M., & Le Du, G. (1999, September). Microphone Array Analysis for Multichannel Sound Recording. Audio Engineering Soceity Convention 107, (Paper Number 4997).

Williams, M., & Le Du, G. (2000, February). Multichannel Microphone Array Design. Audio Engineering Society Convention 108, (Paper Number 5157). Paris.

Wuttke, J. (2005, October). Surround Recording of Music: Problems and Solutions. Audio Engineering Society Convention 119 (Paper Number 6556). New York: Audio Engineering Society.

Advertisements